Bad Lip Reading Star Wars Bushes of Love

• Rock Till We Drop, review: pensioners' battle of the bands is the feelgood hit of the yr

  Martin Kemp and Lady Leshurr put together two bands of musicians aged 65 and older, and the results were inspiring and wonderful

  

• Mood, review: Nicôle Lecky's supercharged millennial polemic is gripping and grimy

  The BBC adaptation of Lecky's 2022 monologue Superhoe is a clever cultural commentary with a killer soundtrack to boot

• Life Through a Royal Lens, review: an engrossing look at the majestic family'south rapport with the camera

  This terrific show at Kensington Palace traces the ways in which British sovereigns have engaged with photography

• Postwar Modernistic: New Art in U.k., 1945-1965, review: aren't nosotros all feeling quite glum enough already?

  The Barbican's endeavor to reassess post-war fine art is substantial – but it'due south too patchy, fails at its cardinal job, and proves heavy-going

• Scorpions interview: 'We wanted to suspension abroad from ugly German language history'

  Lead vocalist Klaus Meine on how the Hanover 5-slice ensnared an international audience and gave peace a chance

Comment and assay

• At a fourth dimension of crisis, we however huddle round the wireless

  The spirit and bravery of ordinary Ukrainians has been brought to life on the airwaves

  

• Valery Gergiev – a keen career derailed past a friendship with Putin

  The conductor'southward sharp fall has been breathtaking – and is surely irreversible

  

• When I was 12, Roald Dahl's twisted tale went off in my head like a bomb

  A typically night Dahl story – about the grisly fate of a young vegetarian – taught me that fiction has a duty to shake upwards the reader

  

• Margaret Atwood: Why we need science fiction

  Literature's most maligned genre is non but for geeks. In shedding lite on our darkest desires, sci-fi tells u.s. what information technology ways to be human

  

Reviews

• Postwar Modern: New Art in Britain, 1945-1965, review: aren't we all feeling quite glum plenty already?

  The Barbican's effort to reassess postal service-war art is substantial – simply it's also patchy, fails at its fundamental task, and proves heavy-going

  

• Life Through a Imperial Lens, review: an engrossing look at the royal family's rapport with the photographic camera

  This terrific show at Kensington Palace traces the ways in which British sovereigns accept engaged with photography

  

• Dave rises to the 'voice of a generation' claiming at a patched-up O2 Arena

  The south London rapper is enjoying a triumphant homecoming with a set that moves tidily along and reprises some of his Brits performance

  

• András Schiff and friends 'scrape together' some Haydn (brilliantly)

  With half of the planned performers at the great pianist's Wigmore Hall Haydn Festival absent through Covid, desperate steps were required...

  

• Mimma was a waste matter of David Suchet's talents – and our anti-state of war sympathies

  This one-off performance of a new Second World State of war musical, starring our greatest Poirot, was timely but poorly written and produced

  

• Does the world have too many people – or not plenty?

  Paul Morland'south fascinating new book, Tomorrow's People, explores the global remainder of human being births, deaths and migrations

  

Behind the music

Stone's untold stories, from ring-splitting feuds to the greatest performances of all time

Tonight'south TV

• What's on TV this night: The Vacation, Murder in Provence, and more

  Your consummate guide to the week's tv set, films and sport, across terrestrial and digital platforms

Screen Secrets

A regular series telling the stories behind pic and Television's greatest hits – and almost fascinating flops

• What Vladimir Putin's taste in literature tells united states of america virtually the man

  Hitler'due south library proved revelatory. Has Putin'due south interest in Jules Verne and Ernest Hemingway shaped his view of himself as a alone hero?

  

• Marlon James interview: I'd be happy to write a white character

  The Booker Prize winner on race, inventiveness and growing up gay in Jamaica

  

• Does the world have also many people – or non enough?

  Paul Morland'due south fascinating new book, Tomorrow'south People, explores the global residue of homo births, deaths and migrations

  

• You lot Matter review: Delia Smith's unlikely recipe for saving the world

  Outset she taught us how to boil an egg. At present the TV chef is back to solve the rest of our problems, from climate change to the hereafter of tech

  

• Postwar Modernistic: New Art in Britain, 1945-1965, review: aren't we all feeling quite glum enough already?

  The Barbican'south endeavor to reassess post-state of war fine art is substantial – merely it's besides patchy, fails at its central task, and proves heavy-going

  

• Life Through a Majestic Lens, review: an engrossing wait at the royal family's rapport with the camera

  This terrific bear witness at Kensington Palace traces the means in which British sovereigns have engaged with photography

  

• How will the war in Ukraine affect the big auction houses?

  A number of the well-nigh high-profile lots coming up are by artists popular among Russians

  

• Etonian's 'indestructible' fine art volition be first to exist placed on the Moon

  Piece of work by Sacha Jafri will be set 'eternally' on the lunar surface equally part of Nasa'due south £70bn Artemis I mission

  

In depth

More than stories

• The Ipcress File, first-look review: Caine is a difficult act to follow for Tv set's new Harry Palmer

  Gorgeous period stylings and atmospheric product bated, ITV'southward adaptation fails to live upward to the 1965 film

  

• At a time of crunch, we still huddle round the wireless

  The spirit and bravery of ordinary Ukrainians has been brought to life on the airwaves

  

• Valery Gergiev – a great career derailed by a friendship with Putin

  The conductor's abrupt fall has been breathtaking – and is surely irreversible

  

• Postwar Modern: New Art in Uk, 1945-1965, review: aren't we all feeling quite glum enough already?

  The Barbican's endeavor to reassess post-war art is substantial – just it'south also patchy, fails at its central task, and proves heavy-going

  

• Life Through a Imperial Lens, review: an engrossing look at the royal family unit's rapport with the camera

  This terrific show at Kensington Palace traces the ways in which British sovereigns have engaged with photography

  

• Mood, review: Nicôle Lecky's supercharged millennial polemic is gripping and grimy

  The BBC adaptation of Lecky's 2022 monologue Superhoe is a clever cultural commentary with a killer soundtrack to boot

  

• Rock Till We Drop, review: pensioners' battle of the bands is the feelgood hit of the year

  Martin Kemp and Lady Leshurr put together two bands of musicians aged 65 and older, and the results were inspiring and wonderful

  

• Scorpions interview: 'Nosotros wanted to interruption away from ugly German history'

  Lead vocalist Klaus Meine on how the Hanover five-piece ensnared an international audience and gave peace a risk

  

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Source: https://www.telegraph.co.uk/culture/

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